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But there are so many great rhymes here, and Wale's flow on top of the go-go funk-flavoured beats is astounding.
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How can that still stand when Wale's free Mixtape About Nothing is as good as or better than almost every full cost hip-hop album in years? Wale is eminently likeable because he doesn't take himself too seriously despite the obvious intelligence behind his lines: in The Kramer, Wale's brilliant deconstruction of how the N-word is used is followed later, in The Chicago Falcon Remix, by the throwaway "I hate rap like Kramer hates blacks". Line of the Album And first off, I aint trying to be conscious, Speaking heart with a conscious, talking to you, This dark content. Featured peformers: Nick Catchdubs (host, mixing). Genres: East Coast Hip Hop, Conscious Hip Hop. The previously understood definition saw the mixtape as a low cost buzz builder, an excuse to freestyle in-between the real work, while the studio album was the fully committed artistic document. The Mixtape About Nothing, a Mixtape by Wale. His Seinfeld-themed Mixtape About Nothing has changed the game, raising the bar of what can be expected from a mixtape. Borrowing Janet Jackson’s Go Deep chorus for The Girls On Drugs makes for the album’s catchiest earworm and the final two tracks – a couple of slow-burning R&B collabs with Usher (The Matrimony) and Jeremih (The Body) - are great radio bait.Lil Wayne might be the reigning king of the mixtape, but Washington DC rapper Wale (pronounced Wah-lay) must be next in line for the throne. A couple of exceptions add variety: The One Time In Houston is steeped in H-Town wooze The Helium Balloon shakes with a skittery bassline courtesy of producer DJ Dahi, who also works his magic on The God Smile, adding drama with retro anolog synth vibes. With songs detailing everything from his sometimes-contentious relationship with fans (The Helium Balloon) to passionate pleas on the state of young black men in America (The Pessimist), Nothing is an ambitious and highly personal project with wide-angle production that flips Janet Jackson and Isaac Hayes. For the most part, production is fairly classic: an emphasis on drums, bright piano and big horns with soulful, often joyous sing-along hooks. Frankly, Seinfeld characters and their musings aren’t worthy of Wale who, unlike the show, tackles actual matters of substance: police brutality, black-on-black violence, youthful despair in the inner-city. But nothing takes the punch out of a poignant moment in verse, or the sizzle out of a superb SZA appearance on the hook, for that matter, than a sudden interlude of Jerry crowing, “Why shouldn’t we be able to do THAT once in a while?” Basing your songs around four people without morals, emotion or heart makes for an album with uneven results. The album also includes dialogue from the epic 'Seinfeld' series, much like Wale's previous mixtapes, 'Mixtape About Nothing' and 'More About Nothing.' Wale, whose hits include 'Lotus Flower Bomb. The Need To Know, for example, opens with Jerry and Elaine weighing the pros and cons of being friends with benefits, before Wale ponders the weight of keeping his girlfriends at arm’s reach. The Album About Nothing is the closest thing to a genuinely cohesive record that Wale has made since the mixtape from which it borrows its title. rapper returns to the premise of his debut mixtape, without quite reclaiming its greatness.
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And now, after a series of Seinfeld-inspired mixtapes comes The Album About Nothing featuring classic show soundbytes, plus a track-listing that follow’s the show’s naming convention. Wale The Album About Nothing review: The D.C. Washington, D.C.-bred rapper Wale has long been a humongous Seinfeld fan. On paper, you’d expect Wale to be a happy guy. This advertisement has not loaded yet, but your article continues below.